A Curious Life

I have been curious and creative for as long as I can remember. From childhood to my forties ~ through stage fright, doubt, and distractions ~ I have played around with a little bit of most things artistic and imaginative. And now, at 41 years old, I’m trying to become a modern-day courtesan.

I created this blog to share those stories with you, as a kind of living autobiography. You’ll find creative pieces and curated photographs from throughout my life, offered in capricious rhythms that don’t follow any specific chronology. However, each post belongs to one of three categories: Yesterday (1984–2023), Today (2024–now), or Tomorrow (my imagined future).

I hope you enjoy these small pieces of myself. Together, they may tell you more than I ever could in words alone about myself and my curious life.

  • Almost the first thing that happens when I walk in the front door is, Betty offers me sourdough pancakes and sausage. In the entryway, the skin of a beaver that her grandson hunted is stretched over and tacked to a board.  On the coat rack above it two hats are hanging, the sort of funny kind with the big ear flaps, that you’ve seen Abercrombie and Fitch try to imitate.  They’re beautiful, really, shiny seal skin and some kind of sleek animal fur and Betty handmade them from the leftovers of other hunting trips.  It’s hard to image that the beaver hide, stiff and rough like the back of a carpet, will wind up looking like one of these hats.  The sourdough starter, she made from scratch over thirty years ago.

    Henry isn’t there ~ “He wants to know if you’re okay with going out on the boat with him,” she says, “he’s fishing.”  Immediately, what comes to mind is the one page “Native Lessons” handout the locals gave me to read before I boarded the plane.  White man will talk to you before he will go fishing with you; a native will fish with you before he will talk to you.  As a matter of fact, several sayings from the handout echo throughout my head for most of the day, like White man talks too much and It’s okay to be silent.  “Sure,” I say.

    When we get to the river, Henry is already pulled up and waiting at the shore.  As I step onto the small boat, the wind wraps around me and tugs at my parka and my hair with a sort of an attitude ~ heiffy, I think ~ and a raindrop lands directly in my eye.  So I’m squinting as I shake his hand.

    Almost immediately, I realize that he’s not going to tell me any of the kinds of stories I met with him to hear, and that I’m not particularly interested in asking him to.  “I hope you don’t mind that we’re fishing,” he says, “I didn’t want to waste time just talking to you.  I wanted to get something done.”

    “I’m just happy to be out on the water,” I say.

    I am, even as the darker clouds move in closer and the rain starts to drive into our faces more aggressively.  Thunder storms are rare in the village, but about two minutes after we anchor and cast the nets the clouds begin growling.  “I just saw lightning behind you,” he says.

    Henry trains his eyes on a fixed point further away and sings me songs in his language.  And I learn good things, like Unalakleet means two things, the South part of the river or where the East wind blows and Ouyemick, his own last name is “when you look out at the edge of the mountains, and it’s a really hot day, and you see that sort of a haze that is Ouyemick.” 

    Every few minutes, in between summaries of village history and analyses of Bible stories, he’ll say “Cheramie ~ that is your name, Cheramie?  Cheramie, I’m not doing too well with my fishing.  If you’re cold, just tell me and I’ll take you back.”

    And I am cold.  The rain slicker that Betty lent me was draped over my legs for awhile, but I eventually had to pull it up over my shoulders and my head so that my jeans are beginning to soak through.  The sleeves of my parka were already wet when I put the slicker over them and I can feel the damp against my wrists.  My hair is completely saturated, and rain is sliding off my face like I just pulled my head out of the water.  I am cold.

    But there’s something incredibly cozy and restful out here on the boat, as if the cold is just a dream that I’m having, snuggled down into a warm bed early in the morning, telling myself that I’ll get up in just a few minutes.  Somehow I don’t want to break the spell; I don’t want to go in.

    And that’s an illogical simile at best, and I’ve no excuse for it.  There’s a warm dry bed in your house in the morning, and then there’s me and Henry, rocking all alone in the boat in the rain, not catching any fish.

    From QIL | Soldotna, AK | June 2009 | 24 years old

  • You were the prettiest thing I ever did see. Sneaking up behind me at the oddest times ~ when I was slicing carrots by the stove or walking by the mailbox ~ surprising me so I’d freeze and my stomach stung like if a secret lover had just barely laid his fingertips on my waist.

    But there was no lover.

    Stealing my breath like breath was a ribbon I’d swallowed and you slowly drew it out from between my teeth.

    But there was no gift.

    taibhse.
    álainn taibhse.

    Breathless and Narniac and colorful. Bright shade cast through a stained glass window. Sunlight or the memory of sunshine or the promise of sunshine, promises like fools’ gold and rainbows. Always dancing one step away, then gone.

    We all have our mayas.


    From QIL | Soldotna, AK | June 2009 | 24 years old

  • A person lying on a bed, wearing black lingerie and fishnet stockings, with a chain around their neck and bold red lipstick.

    Olympia, WA | Spring 2024 |

  • As part of my courtesan “training” and to practice the one-person show I’m writing, I’ve been learning from my accompanist how to improve my skills in singing as well as playing and composing on the piano. So far we’ve met several times to work on a few songs, including my arrangement of Summertime Sadness that I’ve been playing and singing since 2018. This is very much practice~in~progress, but I wanted to share it with you anyway.

    | Tacoma, WA | Fall 2025 |

    Stay tuned for more about The Curious Courtesan onstage in 2026


  • This was my first attempt at drawing a real human. It’s the result of almost a year of becoming intimately familiar with a lover’s appearance through quiet, focused moments spent studying his photograph.


    San Rafael & Turlock, CA & Olympia, WA | 2023 | 38-39 years old

  • I love the smack of a good flogger on my back.

    Circa Phoenix, AZ | Spring 2024 | 39 years old

  • One of the earliest poems I remember writing.

    A watercolor painting of a sunset that I made as a child, with a poem handwritten over the sunset. The poem is in text below.


    Transcription:

    Sunset, Sunset, over the Shining Sea
    Sunset, Sunset, saying goodnight to me
    Sunset’s glory, just around the bend
    Angel’s voices, hidden by the wind
    The glorious background, given by the wings
    Whisper, Whisper, the crickets begin to sing
    Goodnight, Angels
    Say Goodnight to me
    Sunset, Sunset
    Over the Shining Sea


    Palmdale, CA | 1991 | 7 years old

  • Centuries ago, courtesans carved out space for themselves in a world that denied women most forms of freedom. They studied art and politics, lived on their own income, and turned intimacy into influence.

    Their lives were complicated ~ part survival, part rebellion, and part art.

    Many cultures have had roles similar to that of a “courtesan,” though they differ in important ways, something I’ll keep learning about and sharing over time. For now, I’m focusing mostly on the courtesans of Europe, since that’s where I’ve started.

    So if you’re wondering what I mean by “European courtesan,” here is a short, evolving framework I’ve been using as I learn.

    Why Courtesans Now?

    The courtesans represent autonomy, creativity, and self-determination within a restrictive world. Their lives raise questions about power, pleasure, and oppression that still matter today:

    • Why has dominant society in the U.S. and Europe celebrated courtesans as icons of beauty and intellect, but treated most sex workers as disposable?
    • Could revitalizing the courtesan’s legacy help us imagine more humane economies of desire and art?
    • What happens when intimacy itself becomes a creative and decolonizing practice?
    • What would public life look like if pleasure, consent, and care were again seen as legitimate forms of labor?

    Sources & Tools

    I am just beginning to learn about courtesans, and my understanding is evolving constantly. All of the images in the slide deck above were created by Canva’s “Magic Media” AI feature, and much of the text is general knowledge that was originally summarized by ChatGPT. I then revised the text substantially according to what I have learned so far about courtesans from friends and family, as well as from The Book of the Courtesans by Susan Griffin, The Courtesan’s Arts: Cross Cultural Perspectives edited by Martha Feldman and Bonnie Gordon, and Lectures of Lola Montez by Lola Montez and C. Chauncey Burr. I will continue to learn from and share about new sources as the year goes on.

  • Eventually

    It will be, at first, nothing out of the ordinary. Just a pickup truck, two people  stargazing, and a small group of teenagers with cigarette tips glowing red in the darkness, all cloaked beneath the deepening shadows of a half-finished construction site. At the foothills’ crisp horizons, nuit-blue blankets itself gently over gleaming gold. A crescent moon shines coolly in this thick heat, and the dusk holds such a depth of silence that the growling of the truck’s engine and occasional shouts of adolescent laughter all seem to lift briefly, sink quickly, fall into the silence and disappear. And then, whisper. The truck’s engine revs and quiets. Whisper, whisper. The crickets begin to sing. Whisper, and a broad scattering of starlights converge into a flash. Light floods the construction site. The shadows startle into hiding; the half-built home teeters stark and naked in the brightness. The laughter dies; the cigarettes fall; the engine’s growl is wrathful. The battle has begun. 

    The prologue of the first book in a series that I’d like to write someday about a group of middle-aged witches.